When I was
younger I spent a lot of time desperately trying to gain credibility in what
was primarily a man’s game: music journalism. Thanks to women like the infamous
Pamela Des Barres, Tawny Kitaen and the legions of girls who followed in their dubious
footsteps, almost any female involved in rock and roll in any way was and is,
suspected of having less then honorable motives.
The
truth be told, I often was the only girl backstage that wasn’t there for the
express purpose of getting into someone’s pants. It complicated matters that I actually made
and maintained good friendships with number of bandmembers. (That’s also true of most male music
journalists. But as far as I know, no
one questions their motives.)
There were a few of us girls successfully
writing about pop music, but it wasn’t easy. Even our (male) bosses at the
newspapers and magazines would occasionally give us a wink-wink, nudge-nudge. It was frustrating but most
of us did our jobs, wrote about the music we loved, and kept our sex lives
separate from work. Just like the professionals we were.
Eventually
I switched sides, and went into publicity, though a few of my contemporaries –
Melinda Newman, Edna Gunderson and Ann Powers - soldiered on. They have solid,
well-deserved reputations for being among the best critics/journalists in the
business – regardless of gender.
When I
started to go back into writing, I ran headfirst into another ‘ism.’ This time it was my age.
I
was told, in no uncertain terms, by two different male editors that they could
not hire me because I was too old. Apparently female ears age faster and more
completely than those of males. Who knew? Someone should study this. I bet they could get
a grant.
I guess
I was naïve, because when I decided to reinvent myself for the umpteenth time,
I completely forgot the lessons I’d learned.
Oops. She who does not remember the past is destined to bump headlong
into it.
Now I'm primarily writing
screenplays. It’s not that I didn’t know that there is no business more sexist
and ageist than the film business. I did and I do. But I didn’t think that as a
writer this double standard would apply to me. I mean, have you seen some of
the men that go to the podium to accept non-acting Academy Awards? It’s not pretty.
Even many of the male actors get a
pass. Take a good look at Dustin Hoffman, or Robert DuVall. Clint Eastwood is
considered a craggy treasure. You can bet no female actor could rock that look
and still get work and be revered.
Still, while I was concerned about
my age, I didn’t think it would get in the way. After all, the message that was
presented throughout my screenwriting class was that relationships are the
basis for this business. I still believe
that.
But it’s getting harder. I recently
applied for a master class at that same school. It was going to be a pretty nifty
course. We were going to work with actors and directors and shoot an actual scene. Cool.
I thought hard about applying, because I was starting UCLA soon, but I figured
there was no down side to learning as much as possible.
I interviewed, and it went
swimmingly. At the end of the meeting I
was told I was in. Not only did they know and like my work, but former students
were being given priority. There was an approval
process, but it was simply a formality. I was asked to clear my schedule for
the next 10 weeks. Which I did.
Then I didn’t get accepted. No one actually
let me know – I learned from a friend. Ouch. Oh, and except for my friend and
another guy, all of the writers were young women. Really young. Even more galling, at least one of the ladies has
somewhat, um, questionable qualifications. Double ow. And these are writers.
God knows how they picked the actors.
I spent the next weekend pretty
much curled up in a fetal position. I
don’t mind fighting battles. I’ll put my work up against anybody’s. I do the
best I can, which is sometimes pretty okay. Unfortunately, I can’t change my
age. Even if I could afford it, I’m not going the Joan River’s route
Thankfully, the people at UCLA don’t
seem to care that I am verging on codgerhood. Most of the professors are
already there. As far as the female
thing goes, that’s looking good too. The guest speaker next week is Shondra
Rimes. I can’t wait to meet her. She’s built an empire and she’s not only older
than 30 and female: she’s black. She’s my new hero. Rock on Shondra!
No comments:
Post a Comment