I’ve never actually quoted a Taylor Swift song before, and I may go to Hell for it – or at least whatever serves as Hell for active or former rock critics. Which in fact may be a place where you are forced to listen to Taylor Swift songs for all eternity. But here goes.
Haters
gonna hate. As a gold star member of the
rock critic’s club, I realize that we are a snooty bunch. Particularly those of
us who began our careers in punk rock and slid into the grunge era partly by
virtue of just not dying.
Back in the day the biggest insult
that could be thrown was to call a band “careerist.” Remember when Kurt Cobain
called Eddie Vedder that? It bruised ole’ Eddie to the core. (Of course that was when Kurt was still
breathing and not an avatar in Guitar Hero. Yes, that spinning sound you
hear is Kurt in his grave. He
honestly was tormented by success.)
Seriously, this was thing. I wrote
a multitude of articles about bands that sold out their art in a variety of
ways that ranged from participating in sponsored tours (History note: When
Coors subsidized its first rock tour it was greeted with howls . The bands that
participated were roasted and pilloried for being associated with something so
crass.), to commercials. People still
deconstruct every advertisement that uses a Dylan song, wondering what Dylan means by it. I suspect it means he needs
to pay alimony.
Clearly we’ve come a long way. This
may or may not be a positive thing. On the one hand, sponsorships and licensing
to commercials can be a financial lifeline for bands who aren’t making much money
since people rarely buy music anymore. It was certainly wince-inducing when
the Sid Vicious’ version of “My Way” showed up in an Acura ad last summer.
It was also stupid product placement. I seriously
doubt anybody who loved the Sex Pistols was happy about their memories
being co-opted to sell luxury cars or rushed out to buy one. But Sid would have loved it.
One of the on-going conversations in rock criticdom, is about what constitutes cool. This has come up a
lot recently regarding one of my favorite people and bands: Dave Grohl of the
Foo Fighters. On the surface this would seem to be a non-argument. I mean Dave was a member of Nirvana. Doesn’t
that automatically make him a life member of cool?
Apparently not. After all
he wasn’t the one who died young and left a beautiful corpse. (Though
technically, neither did Kurt.) Dave the nice, agreeable, occasionally brilliant guy who believes -rightly so - that he should be able to earn a decent living from his music.
Which is also nice, agreeable and occasionally brilliant.
Grohl also seems completely tickled by his
fame and often uses it for good rather than evil as opposed to, say, anything
involving Ted Nugent. Grohl’s “Sound City” and the HBO series “Sonic Highways”
are absolute love letters to the music and musicians he adores. Still he gets grief for it.
No matter what you think of “Sonic Highways,” you have to admit he’s
introduced a lot of people to artists and styles that they may never
before have considered. People, that’s a
good thing.
Sometimes, as with the latest Foo
Fighters album, also titled “Sonic Highways” the music isn’t earth-shatteringly
innovative which is a bummer . But it’s always listenable and infinitely
preferable to almost everything on radio today.
I’ve been hearing a lot of haters rant in another part of my life as well: horse racing. People have just been stepping over themselves to rag on California Chrome. Chrome, as you might recall, is the California-bred horse that won the first two legs of the Triple Crown.
Chrome has the misfortune of
being co-owned by someone who is the poster boy for Hoof in Mouth Syndrome, Steve
Coburn. Coburn doesn’t know how to keep
his trap shut. Additionally, he isn’t a good loser. In fact, he is kind of an ass.
That said, there are vast numbers
of people who adore Chrome. For one thing, the horse oozes personality. Also, the owners and trainers have been beyond gracious to fans. They allow
almost anyone who asks, to meet the horse and take pictures with him. Believe me, that isn’t typical, and it has
brightened many people’s lives. The connections have also donated Chrome items to auctions to benefit numerous
horse charities. In short, the horse has made a lot of people really, really
happy.
Whether he should win Horse of the Year is not
my call, and I can make the argument both for and against. But the amount of
hate that is being thrown at him, and his devoted fanbase, who call themselves
Chromies, is over-the-top and unnecessary. The bottom line is this: if the backlash was just in response to his owner’s
asinine statements, it would have it would have blown over by now.
It hasn’t. I believe that’s
because, like the criticism about Dave Grohl and the Foos, Chrome is
accessible. A lot of people prefer heroes, be they musical or equine, to be a
little distant and remote. It gives them an aura, and makes them seem sacred.
I for one, say screw that. Give me
a nice horse that tries its damnedest, and a bandleader that does the same. That’s
not to say that California Chrome is my favorite horse of all time. Nor are the
Foos my regular choice for music. But I’m glad that they both exist.
Now pardon me while I “Shake It
Off.”