This is an older piece; never published and not terribly funny but painfully true. The recent PETA revelations made me dig it out.
Horse
racing saved my life. Sadly, I didn’t hit the Pick Six when it was $3 million;
the most I’ve ever won is about $38. Horse racing however, did give me a new career,
new friends and associates and a sense of purpose.
Roll
back to 2001. Even before 9/11 it was easily the worst year of my life. My dog
and cat died within two months of each other. Then my uncle lost his fight with
Leukemia. While I was in Connecticut
sitting shiva with my family, my new boss at the record company (remember
record companies?) ordered me back to LA. To fire me.
I
bumbled through for the next year or so trying to find work. Most of my old
business associates were chilly. I wasn’t surprised: in the music business once
you lose your gig, you might as well have Ebola. Particularly if you are over
40. And female. In what seemed like moments, I went from booking rock stars on
TV shows to selling calendars in a mall kiosk.
Weeks
into my redundancy, my show horse had to be retired. For the first time in 30 years, I had nothing
to do in the morning. Instead of being at the barn at 6:30 to ride before
work—I had no work and nowhere to go. Getting out of bed became challenging.
Then
William Shoemaker died. Though I hadn’t been to the track regularly since
college, I considered myself a racing fan. On a whim I went the memorial
service at Santa Anita. It was sad, but the people were warm even to an obvious
outsider
I started going to the track in the afternoons
just for fun—Lord knows I didn’t have enough money to gamble. That led to watching
the horses work in the mornings.
It was
better than Disneyland. And free. At any given moment there were dozens of
stunning horses galloping down the track.
The
best time was as the enormous tractors dragging the dirt finished. There would
be 20 or 30 horses impatiently milling around. They were like little kids
waiting for recess: some stood quietly while others were kicking, bucking and
generally throwing hissy fits. As soon as the all clear was given, they got
down to business. Running.
I was
fascinated by the outriders. They were often my age or older, since in racing -unlike
the music business -being over 40 isn’t a dismissible offence. They didn’t always
look pretty, but damn could they ride! Occasionally a horse would lose its
rider and the track buzzers and sirens would go off warning of the loose horse.
The outriders would kick into gear. They’d charge down to the loose horse and
cut it off and grab it in one smooth move.
They usually had the horse back to the gate long before the rider
unceremoniously limped home.
There was
a feeling of camaraderie around Clocker’s Corner where I started hanging out.
Trainers, owners, riders and visitors all gathered around the coffee stand to
chat and gossip. After a few weeks Rosie knew I just wanted coffee, and handed
it to me with warm greeting. So did everyone else. If I missed a day, people
noticed. Racing is a roller coaster world: the trainer or jockey who hadn’t won
a race in a month just might hit a streak. Careers are rarely over—just on a
downswing.
Before
my music biz career, I was a freelance music journalist. I began pitching
features to the Blood-Horse, and was lucky enough to find an
editor willing forgive the fact that I was (and remain) a rank amateur in the
horse racing world and let me write a little.
Getting
ideas was easy in the mornings. A man was wearing a tee-shirt with a fire
department logo and a horse that read LAR. I talked to him and discovered he
was a fireman who had taken one of the country’s few Large Animal Rescue training
courses. I was taking to a jockey one morning and he told me about breeding
homing pigeons as a child. I convinced the Los
Angeles Times to let me do a piece on the huge –albeit almost invisible--
sport of long distance racing pigeons. My horse show background led to a piece for
Blood-Horse on Michael Matz long
before Barbaro broke his leg and the nation’s heart. I was privileged to spend
an afternoon with Merv Griffin at his horse ranch not long before his death.
The racetrack is filled with interesting characters, and I became one of them.
I met trainers,
vets, owners, grooms and track personnel and discovered that most racetrackers share
a few characteristics. They work horrible hours—weekends and holidays included--
and are on call 24/7. And they hate when their horses are injured or ill. The
worst part of their job is when a horse dies.
When a
horse goes down—whether it’s Eight Belles or George Washington in a graded
stakes, a gelding in a cheap claimer or in the morning works—the backside
mourns. They are a close knit group and for most the horses are not just their
livelihoods, but their family. When a horse dies, it’s never just another day. There
is a pall over the backside.
Racing
is a brutal life for the horses and the humans, but it’s a part of me—and
hundreds of thousands of others, that we could never give up. In the past my
dream was to work the next monster tour and chart topping artist. My new goal?
Getting my pony license. And I dare you
to tell me it’s not as rewarding.